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Title Canary 邦題 カナリア 原作者 Author Pneumonica 翻訳 Translated by 蒼衣わっふる 語数 3851語 現在の翻訳済み語数 1000語くらい? フラグラの二次小説初の外国の方による投稿です。彼の許可を得て、直々にがんばって翻訳・掲載させていただきます。 英語と日本語の文法や構造の際の都合上、どうしても不自然に感じる部分(該当する日本語がないなど)があったり、そもそも文学性をそのまま引き継いで翻訳するのは本来プロの人がするべきですが なにとぞここは大目に見てくださいまし…。 アンダーラインが引かれているところは訳が不安、ミスを見つけた人は勝手に手直ししてもOKであります! The first story written in English by Pneumonica!! Original link (Deviantart) When miners go into the earth, they run the risk of releasing poisonous gasses that kill rapidly, before someone even knows they re falling over. One solution used is to bring canaries. These little birds sing and sing and sing. When they stop singing, the miners reflexively stop breathing and run for their lives. The canaries cycle air more rapidly for their singing, so they tend to die first. When canaries die, everybody else knows there s trouble. That s the purpose of a canary. 鉱夫は常に彼らの命を一瞬にして奪ってしまう毒ガスと共にある。気づいた時にはもう遅いのだ。これを回避する方法のひとつが、カナリアだった。カナリアは常に鳴き続ける。そして鳴き声が止まった時、鉱夫は息を止めて一目散に坑道から脱出する。カナリアは人間より呼吸のサイクルが早いので、人間より先にやられてしまう。カナリアが倒れた時、全員が彼らの置かれた状況を知る。それがカナリアの目的なのだ。 A similar purpose exists for canary surveyors. It s assumed they won t find anything. It s also assumed that if something s out there, it will find them. You don t wait for a canary to report in. You wait for a canary to stop reporting in. 似たような目的のものでカナリア調査がある。彼らは特別に何かを見つけるわけでではないし、見つけてくることもある。我々はカナリアが何かを知らせてくるのを待つわけではなく、カナリアが知らせることをやめるのを待っているわけだ。 My name is Pirin. That s my name now, don t ask what I was born with. I m an archaeoengineer. That means I go to archaeological sites and ransack them for every valuable thing they have, and good God can they be valuable. I m the daughter of an Imperial war minister, but I didn t feel like being a good little girl so I sort of defected. I also stole a lot of money from dad. He s welcome to sue me. 私の名はピリンという。どこにでもいる普通の人間。今は遺跡技師をしている。遺跡技師は昔パルエに存在していた超文明の遺跡に行って、なにかしら使えるものを探してくる仕事。 私は帝国の陸軍大臣の娘として生まれたけれど、みんなが思うようなお嬢様というものではなかった。俗にいう不良といったものかしらね。父からはたくさんお金を盗んでいたし、たびたび言いつけられたわ。 I joined the Arkil military and ended up in Pandora, an archaeoengineering corps formed of several detachments. Each detachment has its specialties. There s actually a pretty high turnover rate in membership (missing limbs often mean tickets home), so the specialties can shift over time. We get a few mercenaries, because the Arkils don t seem to think we, who deal in dangerous and sometimes still-active weapons systems, need a strong combat force. 私はわけあってアーキル連邦軍パンドーラ団の混成部隊専属の遺跡技師に参加することになった。各隊はそれぞれの專門分野に分かれている。結構人材の入れ替わりが激しくて(片腕を失うなどでよく送還される)、専門技師は過剰勤務が常だった。我々はいつも危険と隣り合わせで、運が悪いと稼動状態の古代兵器と出くわすこともあるので、幾人かの傭兵が雇われていた。 Our little detachment from Pandora was the Crack detachment. There s a story behind that – Kimball was an archaic mythology geek, and he would always tell us a story about a girl named Pandora with a jar containing every terrible thing. Between our high hazard experience and, more recently, Joker, it s like we were a crack in the jar letting all the crazy out. It isn t really funny when somebody got maimed, but when enough people get hurt it does start getting funny. So, we re the Crack detachment. 私が所属してる小隊は"ひび割れ小隊"なるものだった。これには逸話があって…キンボルは古代神話オタクで、彼はいつも私達に災厄の水瓶を持つパンドラという少女の話をしていたわ。私達が常に接している危険と"ジョーカー"と呼ばれるその彼の奇抜な存在が組み合わさって、なんだか私達はその水瓶のひび割れで厄という厄を垂れ流しているもののように思えた。それがこの小隊の名前の由来。 We were doing the canary survey of a dead city out near the Broussard Range. The country folk called it Empty Hollow. I know a few nobles and most of them think themselves poets, but the names these plebians come up with beats all. Empty Hollow had seen at least three surveys before, but two of them came back half staffed and one didn t come back at all. It seemed almost certain that there was something dangerous at large down there. 私達は俗にいうカナリア調査をブルザード地帯近郊の遺跡で行っていた。昔話では虚無の盆地と言われてるところだ。名づけた多くの人や一部の貴族は自分たちのこと詩的だと思うかもしれないけれど、彼らが名づけたこの何も変哲もない地は名前以上に凶悪だ。 トム意訳 誌的だと思った多くの一般人や貴族の一部がその地名を付けたのに反して、この何の変哲もない地は名前以上に凶悪だ。虚無の盆地は過去において最低3回に渡って足を踏み入れられている。しかしその中の2回は半数が壊滅して帰還、そして1回は誰も戻ってこなかった。虚無という名前に反して、そこに何かがあるのは明らかなことだった。 Pandora s operational coordinator was a crazy witch named Dasharbi, though we called her “Scorch” for reasons I won t go into. I have it on good authority her name is actually Despoina. She seems more Republican than Federation, which might explain a few things. See, someone told her that this would be a guaranteed total loss, and her reaction was, as far as I know, “That makes it even BETTER!” パンドラ隊の作戦立案者は気狂い魔女のダシャルビ(私達は燻り屋と読んでいるけれど)。私は個人的にデスポニア(註 デウスとデメテルの娘)と名づけている。彼女は連邦人というよりは共和国人のように見える顔つきだから、なんとなくそれで説明がつくと思う。 トム意訳:それだけで分かってくれると思う。ある時彼女に隊員の一人がこういったんです、この作戦は全滅しかあり得ないと。そうしたら彼女は、私が見た限りでは「なおのことよろしい!!!」という顔だったの。 Whenever something is a good idea, just ask Scorch. If she says it s a great idea, they send Crack, because it s a terrible idea. One wonders how any nation wins a war these days. もしいいアイデア(作戦)が浮かんだら、燻り屋ダシャルビに言ってみなさい。もし彼女がそれをいいアイデアだと言ったら、我らひび割れ小隊を送ってくるわ。…なぜならそんなの最悪でしかないからね。最近はどこの国がどれだけ勝ってるのを気になる奴がいるというものだ。 So, I was at the helm of an engineering Belge during our initial canary sweep. Low-draft vessels are vital in these kinds of jobs. Any watercraft with low enough draft is high enough in the water to avoid hitting debris. Or torpedoes. Water mines are a danger, especially since engineering surveyors often lay mines to prevent claim jumpers. We certainly were. That was Karn s and Vino s job. ともあれ、私はカナリア調査の先鋒隊として高速艇ベルゲの舵輪についていた。喫水の浅い艇はこの手のミッションでは重要だ。十分に喫水の浅い艇は水底の障害物や魚雷を交わすのに適している。ただし機雷は厄介者だ。特に工兵隊は手柄を横取りさせないように機雷を敷設することもしばしばある。いや、まさに私たちのことであるのだが。それはカルンとヴィーノの仕事だった。 There were actually all manner of dangers. Empty Hollow, like many ancient cities, was flooded. I m not sure why so many ancient cities were high and dry one year and waist-deep in wet today, but so it is. The life in these ruins is often dangerous. Most of it is harmless, which means the dangerous bits don t stand out. 実際ありとあらゆる危険がそこにはあった。虚無の盆地、あるいはそれを含む多くの遺跡群は水没している。私はなぜこれほど多くの遺跡がこのような特徴を持っているか疑問に思っていた。とはいえ実際それがパルエにおける遺跡であった。遺跡の環境はとても危険だ。ほとんどは無害に見えるが、それは危険の兆候がそれほど見えないからである。 Karn and Vino were sweeping for mines and laying a few of our own. Thira and Kimball were doing some urban spelunking. She had a thing for the underground, which I never understood, and he was good at urban navigation. Plus, he could operate the seismic telemetry, and only two people in our detachment could do that. カルンとヴィーノは先達のものが敷いた機雷を取り除き、そして今度は我々のための機雷を敷設していく。一方シィラとキンボルは地下空洞の探検を行う。彼女は地下探索のための土地勘があり、彼は都市地帯のナビゲーションに秀でていた。それに加え、彼は地震測定を行うことが出来た。これができるのはうちの隊では2人だけだ。 The other one who could do that was Joker, and he was only one of two flight operators. They had him at the controls of the air utility platform. This meant the job was going to go sour, and double-quick. もう一人というのがジョーカーだった。そして彼は同時に2人いる操舵手の一人というわけだ。隊は彼をair utility platform(大気測定装置?)のオペレータとして雇っている。つまりこの仕事はとても忙しく即応性が求められるほど忙しい物だった。 It s not that bad things only happen when Joker s at the controls. It s that when Joker s at the controls, everybody knows when bad things are happening. They just spiral out of control. Of course, since Joker was the best at handling an air utility platform, it became part of the reason we were the Crack detachment. ジョーカーがその任に付いている時に限って厄介なことが起こる、というわけではなかった。言い換えれば、ジョーカーが任についているときはみんなが悪いことが起こると自覚しているだけだった。ただ制御不能に陥っているだけだ。もちろん、ジョーカーはair utility platform(大気測定装置?)の扱いに関してはピカイチである。これは私達がひび割れ小隊たる理由の一つになっている。 With me was Midian. He was never a soldier, but he s always been a mercenary. He joined a mercenary unit at the age of ten in a role he d be happy to tell you all about and that makes me sick to think about. He d been hired on to us for so long he was basically a permanent part of the payroll. He was also the only other flight operator, but we only needed one air utility platform for this sweep. 私とミディアンについて。彼は兵士ではなくて傭兵だ。彼は10歳の頃から傭兵に加わっていて、こいつは"何でもかんでも思ったことを口にして騒ぐ役職"についている。このお調子者には私もお手上げだ。 Midian and I were surveying the sea level. We did some basic mine-sweeping, and scanned for major organisms. Me, I m more afraid of roosting worms and assassin beetles, and when I m doing sea level surveys shark-fish. Others? They re afraid of titans that you can hear or smell coming from half a kilometer away. We also swept for magnetic signals, since those could mean something valuable. That s what I was really focusing on. メディアンと私は水深を観測している。我々は簡単な掃海と水面下の生態調査をやっていた。私が恐れていたものは腐肉ワームと殺人カブトムシ、水底調査をしているときはシャークフィッシュ。他?他に恐れるものと言ったら、そうね、500m先にタイタンの臭いや泣き声が聞こえた時かしらね。我々は加えて電磁信号も探査している。この信号はだいたいがいい発見だからだ。私の仕事はこんなかんじ。 There was an Belge ahead of us, principally sweeping for mines and organic hazards while we principally kept our eye out for magnetic anomalies. In that boat were Nini and Tin, the pair of whom couldn t be more lesbian if they had “no dicks allowed” tattooed around their waist. The funny thing? No matter how much they worked together, they wouldn t start dating. Seems there just wasn t a spark. 私達の目の前に高速艇ベルゲが先行していた。私達が水底の磁気信号に眼をやっている間に掃海と危険生物の探知を買ってでてくれている。あの艇には、"イチモツ進入禁止!!"のタトゥーが彼女らのウェストに刻まれていない限りもはやガチレズペアにしか思えないニニとティンが乗っていた。え?何が面白いかって?どれだけ一緒にくつかってても、奴らはデートすらしないんだ。まだそこまでには至っていないようだ。 Joker drifted overhead in the utility platform. He was always conversational on the radio. “And here we are at scenic Empty Hollow, which isn t empty and might not be hollow – we ll turn to Thira and Kimball for more on that when they re done making out.” Kimball chimed in. “Joker, you know I m the one who repairs your lift system, right?” “Yes, sir, and the blowjob you ve earned will make it all worthwhile.” I don t know if Joker s gay. In fact, I m not positive Joker s a man. But Kimball wasn t into him, he d made that known. ジョーカーがutility platformを流した。彼はいつも無線では消極的だ。 「さてみんな、ここが全然虚無じゃないしそもそも盆地でもない虚無の盆地というわけだ!シィラとキンボルの準備ができたら彼らにバトンタッチとしよう。」 キンボルが調子にのって言う。「ジョーカー、オレはあんたのリフトシステムを修理することになってるんだよな?」 「イエッサー。ここでこそ君が培ってきた尺八テクが活きてくるってもんだ。」 ジョーカーがゲイなのかは知らない。 つまるところ、私はジョーカーのPositiveな男ではない。でもキンボルはそうじゃないかもしれない。彼のみぞ知る。 “Try to keep it professional, Joker.” “I m always professional about my blowjobs, Kimball.” We headed down a waterway flanked by decaying buildings. The old concrete had steel reinforcement, meaning even as it crumbled it tended to stay in shape. One tower leaned to the side – I could imagine the interior steel structure slowly straining over long years, and the thing slowly curling over. Down Canal Street (as I was calling it), there was a piece of infrastructure strangely bridging from one building to the next. It was only a matter of time before Joker burst out... 「オレに任せてくれよ、ばっちりやってやるからよ、ジョーカー」 「オレは尺八に関してはいつもばっちしだぜ、キンボル」 我々は “HEY! SOMETHING OUT OF THE ORDINARY!” Nini messaged in with, “We re doomed.” Vino put on her best canary impression. “Chirp, chirp. Tweet, tweet. OH, FUCK, I M DEAD!” Tin got a hold of the other airboat s comm to signal, “Damn it, Vino, you said you wouldn t kiss and tell.” Joker veered at absurd speeds to float over the infrastructure as we trawled towards it. I messaged, “Hey, Joker, what the Hell are you doing? You ve got the seismic probe out already? I m headed right under you, wait before you swing that thing around.” Vino came in with. “Yeah, she s saving herself up for Midian s probe.” Midian didn t seem to change his face any. It was impossible to know what he was thinking at any given point in time, or that s what most people thought. I figured he wasn t thinking much at all. He didn t “brood” so much as keep his head clear. I hit thrust to pick it up to 20 kph, because Joker was about to run a series of seismic pulses down the metal of the infrastructure. The stressed, strained, and degraded metal wreathed in crumbling concrete. The overhang that we were passing underneath. Yes, that one. Joker muttered over the comm. “Whatever. I m just vibrating it. It s not going to collapse.” He contacted probe to steel just as we passed underneath. I heard the high-pitched hum of metal vibrating against metal, and just then a piece of concrete about one meter by two meters square broke from the structure and fell into the water, leaving a tenth of a meter of obstruction in the canal above the water. The splash managed to hit Midian. Midian motioned to get the comm, and I handed it to him. “In fairness, it didn t actually collapse.” Joker wasn t pleased. “Screw you and the horse you rode in on, Midian.” Karn chimed in. “Hey, you re diversifying your tastes. Can I call you pony boy?” Joker was measuring the results of the seismic probe, and started relaying the results. “Looks like this substructure runs into some major infrastructure. I can measure a half a kilometer before it becomes noise. Runs north-northeast for some distance.” Suddenly, something leaped out of the water. It was a quarter of a meter of something, which made it probably a shark fish. Shark fishes are small, air-gulping sharks that sometimes leap onto boats to eat people s faces. Then they crawl back into the water. One face feeds one fish. They can hit 12 kph on the horizontal coming out of the water, and the airboat was forward at 20 kph. The front ten centimeters of the thing is mouth, and its teeth are ten millimeters of bone, 3 kg of “biting my head off” all traveling at effectively 32 kph or so. Before I lost my head, there was a flash and it flew to pieces. I had guts all over the front of my field uniform. I looked up while cutting thrust on the boat to see Midian holstering his pistol. This just proved what I said – he wasn t brooding, he was keeping his mind clear. Karn messaged in with, “Shots fired.” Joker got the next massage. “Yeah, Midian just put a bloody money shot all over Pirin. She needs a softer touch, that girl.” I didn t hear him because there was a problem. The trouble with low-draft boats is they don t stop on a dime. I had cut thrust and the vessel was slowing when something wrapped around Midian s face and throat. He started choking and the motion of the boat dragged him across the deck, into the rail, and finally over it and into the water. I got a rifle out and started firing at what proved to be a tentacle extending from some organism anchored to the walls on the inside of a semi-collapsed building. I saw several organic sacs carrying the remains of animals. I saw what might ve been a human bulge, but I didn t wait to confirm – I started firing. Vino messaged helpfully. “More shots fired.” Joker chimed in. “Holy crap, Midian found a tentacle monster!” Thira, who d been in this unit for a while, called in, “I always knew he was a whoopsie-daisy.” Midian surfaced as the tentacle pulled away. It had a cut partway through it. Midian swam to the vessel, first throwing a bloody knife onto the boat. As he pulled up, there were two shark fish clinging to his thigh and midsection, so I took the knife and stabbed them once each. They let go politely. I looked up, but we d drifted well outside the thing s reach. I got back to comm while Midian bandaged his thigh. “Sessile predator, possibly a plant. It had organic sacs to store prey – it might be composting. Check that I saw what might ve been a person.” Vino then chimed in. “If it s a person, it isn t a survey team. There s been nothing for active mines. The only mine I ve found was so old the chemistry was degraded.” Then Thira called in, shouting. “HOLY CRAP, JOKER, WHAT DID YOU DO?” Joker replied, “I didn t do anything!” I got back on the comm. “All silence. Thira, what s happening?” Thira chimed in. “Heavy footsteps. Mechanical sounds. Ancient engine of some kind, sounds like its walking.” “What s your position?” She gave a plotting for her location, and I started calculating. Joker was ahead of me. “Hey, that s right around where the metal substructure leads.” Thira chimed in, and I could hear what sounded like weapons in the background. “GODDAMNIT JOKER, YOU WOKE IT UP!” “This isn t my fault! Who in their right mind puts a seismic sensor on an automated guardian?” As I cranked up the Belge, Midian manned a gun turret. He muttered loud enough for me to hear, “Someone who wants the guardian to hear footsteps.” Meanwhile, Nini got on the main Pandora channel, and sent the code phrase for trouble. “This is Crack. Canary down. Repeating. This is Crack. Canary down.” While we were having fun trying to navigate through causeways that were once roads, Thira was shuffling through a raised platform along the side of a deep throughway. The ancient cities often had throughways that allowed for heavy vehicle passage. These throughways were often partially underground, which means she was chest deep in water, slogging through as doctor fish nibbled dead skin off her clothes, occasionally swimming under her clothes to get to the dead skin underneath. Usually it s unnerving to have live fish swim under your clothes and pick at your skin, but at the moment, the indignity of it all was the least of her concern. She had just slid down into this depth pass to evade a large, walking munitions platform of some kind. She hadn t seen it, but she knew it could spot her by her footsteps. She wasn t certain if it could spot her by her heartbeat, so instead she went into depth. Water-to-solid sound transference is inefficient, so she hoped it would muffle her passage. She also hoped it wouldn t follow her, because the splash wave if it descended at speed would likely swallow her. A message chimed in. It was Karn. “Confirm your location, are you in a depth pass near two by seven on the grid?” She replied, “I sure could be. I ve been running for my life a little bit, I don t know.” Karn chimed back, “I m going to make a hole. If you re on the wrong side, I ll notify your next of kin.” Thira ducked down into the water so only her head showed. Even if the thing was water-enabled, it likely wouldn t drop down now, because it knew there was someone on the other side of the street-facing wall (the side she wasn t on) moving as if to plant explosives. That was when it decided to prove her wrong. A large metal anthropoid machine splashed into the water, which was about chest deep on it. The wave swept by and grabbed Thira along the way. As the machine moved forward through the water towards her, the street-side wall burst inwards, striking it with rubble. At this point Nini and Tin were just about there, and we weren t far behind. Karn had just blown the side of the wall, and he was running back around to retrieve Thira. The thing about lasers is that they aren t beams. First, they re pulses. Second, they re cones. Physics says it s quite possible to make a column of light capable of vaporizing metal. Engineering says that the first thing that column will do is vaporize the aperture generating it. So instead you produce light across a wide area and focus it so it all crosses a single point somewhere that you want incinerated. This is why, caught in the blast of this thing s energy weapon, Karn s stomach burst up into his chest and down into his pelvis and his spine splintered, firing out his back, as opposed to it simply stripping the skin generally from his body. Joker, in surveillance position, radioed it in. “This is Crack. One casualty, dead. Confirm grease pit.” Unlike danger notices, notifications of things being valuable don t need to be instinctive. Thus, each mission had a different set of codes for valuable things. “Monkey ladder,” this time, meant “nothing found.” That seemed to make sense, but if I heard “grease pit,” I would not have believed it meant “high-value artifact presenting clear danger and present danger.” Don t even ask how “ten bodies running” meant “nonfunctional artifact visible and easily accessible.” Nini piloted past the opening, and Tin started opening fire with a machine gun. Sometime around this time, Thira had woken up and pulled out a gravitational radiation generator. We d made jokes about them being useful as the mother of all hand grenades, but they re not designed for it. She would ve set it to the minimum fuse time (five seconds) and then waited. At two seconds, she would have reared back for the throw, which would ve lobbed at one second. At zero seconds, the radiator, which ended up going long, caused much of the causeway to collapse, burying the thing. This might be strange, but most of the injury to the causeway was caused by water pressure – the water immediately around the radiator pressurized by the sudden gravity force then released because the gravity force was temporary. The splash threw Thira back again, and she struck the back wall. I made it to the causeway by then and saw what might ve been a blood splash where her head hit, but Thira got up and started running down the platform. She was just about to jump into the deep to swim to us when the underwater rubble shifted. The machine got up, and I got my first look at it. It had an ablative armor coat, but much of it was stripped off by the radiator. A few of its armor segments had buckled, but it seemed remarkably intact. It had three eyes, along with a pair of antennae that might have had eye-like things on it. It was built like a person, sort of like someone in armor. It had a large energy weapon held like a rifle in four-fingered hands. The monster looked back to where Thira was standing, and before she could react it lashed out. Its right wrist struck Thira and kept going, pinioning her to the wall behind her. The arm immediately bounced back and it turned. Thira fell to float in the water, surprisingly in one piece, but most of her insides were now on the wall or floating beside her. Tin and Midian both opened fire, and I issued an order. “Crack group, fly. Repeat. Crack group, fly.” Nini and I both revved thrust and headed out. The machine was climbing up as we left it, and it apparently made it to street level rapidly. Joker had just enough time to radio, “Incoming fire!” At that moment, the water splashed in a line across the lead Belge. It carved the drive system on the Belge into scrap, and hit the pilot s seat. Nini erupted into a cloud of liquid human remains. The front of the boat kicked upward, throwing Tin into the water. On the radio I heard, “Kimball on support.” Then I heard gunshots behind me. I couldn t go further down the street because the Belge wreck blocked it, but I went forward far enough for Midian to retrieve Tin. When he pulled her onto the boat she gasped in pain and shock – there was a shark fish on the side of her neck. Paul stabbed it and it let go, but she was bleeding. There wasn t time to deal with it, as he went back to the gun and I turned the Belge about. Kimball was standing on a balcony now just above water level. He had his weapon out and, while leaning around the corner of a building, he was taking aimed shots at its face. He may have damaged one of its eyes. I saw Joker in the utility platform float in behind it. The machine fired shots into the building where Kimball was taking cover. It didn t manage to hit Kimball, but it did manage to break apart some of the building, and several of the pieces fell onto Kimball and cracked the balcony he was standing on. The radio gave another message. “Vino, fire in the hole.” Just then two things happened. One was that the cutting beam on Joker s platform managed to cut a line across the machine s laser cannon. The second was an explosion blowing the armor off of the machine s back. The machine dropped its weapon and turned to face Vino, and Midian took the chance to open fire with the machine gun. The machinery was exposed, and apparently of some importance. It ground to a halt. I arranged the Belge over to Kimball, who had fallen underwater from the balcony he was standing on. He was held there by some debris. Kimball fished him out, but he was beaten to Hell and back, and his helmet wasn t quite the right shape anymore. I didn t want to think about his skull. I couldn t tell if his lungs were draining of water. Tin was lying in the bed of the craft, squeezing her own neck to try to stop the bleeding, choking on her own blood. I kept the comm set on my head as I ran to try to treat her. Joker retrieved Vino while I reported in, all the while getting sprayed by Tin s blood as I tried to figure out how to stop the bleeding without cutting off blood flow or air supply. “Crack group. Three dead, two critical. Ten bodies running. Med then RTB. Request medical intercept.” Five canaries weren t singing. The commander of Pandora was once called to task for the number of casualties Pandora kept reporting and repeated call for additional soldiers it kept giving. Her reply was to point out the need for maximum salvage opportunity in archaeoengineering sites. Certainly, more efficient means of engagement with dangerous artifacts were possible, but they would end up with little of any salvage value. She maintained that the standard procedures she followed allowed for maximum salvage. Within that limit, they minimized the total number of casualties by minimizing the number of personnel in contact with hazard and giving them considerable leeway and opportunity to improvise in the face of emergency. She stated that greater combat forces were required in canary surveys. They accepted the casualty rate, but refused to provide more combat troops than they thought was needed. It might have helped if they knew what a canary was.
https://w.atwiki.jp/vocaloidenglishlyric/pages/515.html
【Tags Len Nem Rin tP tT K】 Original Music title 怪盗ピーター&ジェニイ English music title The Phantom Thieves Peter Jenny Romaji music title Kaitou Piitaa Jenii Music Lyrics written, Voice edited by Nem Music arranged by Nem Singer(s) 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain): [Len] If I target yours, just give up without a fight, okay? There s nothing in the world I cannot steal Something like the biggest diamond in the world Or the dress that the actress put on in the drama If you want something, why don t you call me? Melting in darkness, there re shinning two eyes I won t leave any evidence When they notice, it s too late Now, what do you want next? [Rin] If you have time to put on airs, just work! The next thing I want is the specimen of the extinct butterfly, I wonder... If you receive requests from other women, I ll **** you, okay? I ll only put things I like around me And build my own kingdom You re my obedient valet Hey, you don t have any objections, do you? [Len] Melting in darkness, there re shinning two eyes To tell the truth, it s a bit tough... [Rin] Hey, what are you whining about? "When yours is stolen, you ll lose" That s the rule, right? [Len] Hey, when will your eyes be mine? [Rin] That s a funny joke [Len] (sighs...) What do you want next? [Rin] Now, I want that next! Romaji lyrics (transliterated by blacksaingrain): [Len] nerawaretara mou otonashiku akiramete yo ne? nusumenai mono nante kono yo ni hitotsu mo nai no sa sekai de ichiban ookina daiyamondo toka ano joyuu ga ano dorama de kiteta doresu toka hoshii mono ga aru no nara boku wo yondemina yo yami ni tokekonde hikaru me ga futatsu shouko nante nokosanai kizuita toki niwa mou teokureda tte saa,tsugi wa nani ga hoshii? [Rin] sukashiteru hima ga aru nara hatarakinasai yo! tsugi wa zetsunetsushita ano chou no hyouhon ka na... hoka no onna no irai nante uketara ****su wa yo? sukina mono dake mawari ni narabete watashi no oukoku wo tsukuru no anata wa watashi no juujuna shimobe nele iron wa nai wa ne? [Len] yami ni tokekonde hikaru me ga futatsu hontou wa chotto shindoi desu... [Rin] nani yowane haiten no? "nusumaretara make" sore ga ru-ru deshou? [Len] nee sono hitomi wa itsu boku no mono ni? [Rin] omoshiroi joudan ne [Len] haa... tsugi wa nani ga hoshii? [Rin] saa, tsugi wa are ga hoshii!
https://w.atwiki.jp/vocaloidenglishlyric/pages/334.html
【Tags D Luka fatmanP tD】 Original Music Title ダンサーインザダーク English Music Title Dancer In the Dark Romaji Music Title Dansaa In Za Daaku Music Lyrics written, Voice edited by fatmanP Music arranged by fatmanP Singer 巡音ルカ (Megurine Luka) Click here for the original Lyrics English Lyrics (translated by Ken96): I keep on fighting against God in such a dirty, cruel place. My left arm has been blown off, and my wings have been teared off. I keep on fighting against God in such a dirty, cruel place. My right arm is full of scars, and I ve devoted everything. Why am I here? In this dark, stagnant world The pain from these unreasonable scars never stops tormenting me My feelings are going numb as I ve lost many thing again and again I keep on counting the things I ve offered and repeating the question I keep on fighting against God in such a dirty, cruel place. My left arm has been blown off, and my wings have been teared off. I keep on fighting against God in such a dirty, cruel place. My right arm is full of scars, and I ve devoted everything. Why am I fighting? In this fragile, squeaky world The itch from these unpleasant scars never stops tormenting me My affections are slowly dying, as I kept on accepting to abandon them I keep on counting the things I ve destroyed and repeating the question I keep on fighting against God in such a dirty, cruel place. My left arm has been blown off, and my wings have been teared off. I keep on fighting against God in such a dirty, cruel place. My right arm is full of scars, and I ve devoted everything. Romaji lyrics (transliterated by motokokusanagi2009): I keep on fighting against God in such a dirty,cruel place. My left arm has been blown off,and my wings have been teared off. I keep on fighting against God in such a dirty,cruel place. My right arm is full of scars,and I ve devoted everything. naze watashi wa koko ni iru no? kono kuraku yodonda sekai de rifujin na kizu no itami ga watashi o tsune ni sainami tsuzukeru ushinau koto o kizami tsuzuke te mahi shite iku kono kanjō ni sasageta mono o kazoe tsuzuke te kuri kaesu sono toi o I keep on fighting against God in such a dirty,cruel place. My left arm has been blown off,and my wings have been teared off. I keep on fighting against God in such a dirty,cruel place. My right arm is full of scars,and I ve devoted everything. naze watashi ga tatakatteru no? kono moroku kishinda sekai de fuyukai na kizu no uzuki ga watashi o tsune ni sainami tsuzukeru sute saru koto o mitome tsuzuke te kaishishite iku kono omoi ni kowashita mono o kazoe tsuzuke te kuri kaesu sono toi o I keep on fighting against God in such a dirty,cruel place. My left arm has been blown off,and my wings have been teared off. I keep on fighting against God in such a dirty,cruel place. My right arm is full of scars,and I ve devoted everything.
https://w.atwiki.jp/riftinfo/pages/51.html
AbilitiesBranch Root コメント欄 Abilities 【外部リンク】ソウルシミュレーター 1.3Patchにより、BuffのVeilが2種類に分かれ、グループ回復向きのLifegiving Veilと 味方1名回復主体(主にタンク)向けのLifebound Veilに分かれた。 従来のSynthesisはLifebound Veil用になり、Nature s TouchもLifebound Veil向きになっている。 Branch Range = 射程(M) CastTime = 詠唱時間(秒) CoolDown = クールタイム(秒) CastCost = 消費量(Mana) * Name Point SkillType MaxRank Range CastTime CoolDown CastCost Description 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Natural Awareness 0 Passive 5 - - - - Casting a Life based spell enhances your Intelligence by 5% for 6 seconds.ライフベースの呪文をキャストすると、6秒間5/10/15/20/25%あなたの知性を向上させます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Accelerated Growth 0 Passive 5 - - - - Increases your damage by 1%1/2/3/4/5%あなたのダメージを増加させます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Empowered Veil 5 Passive 3 - - - - Increases the damage and healing bonus from your Entropic Veil to 12% and increases the radius of your Lifegiving Veil and Lifebound Veil by 5 meters.12/14/16%へのエントロピーベールによる損傷と癒しのボーナスが増加し、5/10/15メートルによってあなたLifegivingベールとLifeboundベールの半径が増加します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Nature s Corrosion 5 Passive 3 - - - - Your Vile Spores and Ruin abilities also deal 33% of their damage over the next 6 seconds.あなたヴィレ胞子および破滅能力も次の6秒間かけて、そのダメージの33/66/100%を扱っている。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Healing Slipstream 5 Passive 2 - - - - Reduces the cast time of your Bloom and Flourish abilities by 1 second.あなたのブルームの詠唱時間が減少し、1/2秒で能力を繁栄。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Bloom 5 Active 1 35m 2s 10s 10% Restores 657 to 727 health.727健康に657を復元します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Circle of Life 10 Passive 5 - - - - Using a damaging ability increases the critical hit chance of your next Bloom, Flourish or Natural Healing, within 15 seconds, by 5%.有害な機能を使用すると、あなたの次の花のクリティカルヒットの確率で、5/10/15/20/25%、15秒以内に、繁栄や自然治癒を向上させます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Phytogenesis 10 Passive 3 - - - - Increases the chance your Radiant Spores will heal allies attacking the affected enemy by 2%. Gives your Radiant Spores a 33% chance to affect up to 8 enemies within 10 meters of the targeted enemy.あなたのラディアン胞子が2/4/6%、影響を受けた敵を攻撃する同盟国を癒してくれる可能性が増加します。あなたのラディアン胞子を対象と敵の10メートル以内に8敵まで影響を与える33/66/100%のチャンスを与える。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Synthesis 10 Active 1 35m instant 5s 2% Increases the healing the ally receives from the Mage s Lifebound Veil. Applies Lifebound Veil to the Mage. Can only affect 1 ally, never the Mage. Lasts 1h.同盟国は、メイジのLifeboundベールから受け取る癒しを向上させます。メイジにLifeboundベールを適用します。唯一の1同盟国、決してメイジに影響を与えることができる。 1H続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Call of Spring 15 Passive 5 - - - - Increases your healing by 3%.3/6/9/12/15%あなたの治癒を向上させます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Nature s Touch 15 Active 1 30 2.5s 6s 13% Deals 1682 to 1859 Life damage. Triggers a significantly larger heal from Lifebound Veil on the target of the Mage s Synthesis.1859生命の損傷に1682のダメージを。かなり大きくて魔道士の合成のターゲットにLifeboundベールから癒すトリガーします。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Resurgence 20 Active 1 35m instant 10s 8% Restores 363 health over 6s.6S以上の363の健康を復元します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Natural Power 20 Passive 3 - - - - Lifegiving and Lifebound Veil increase your Life damage by 3%, reduce the mana cost of your Life abilities by 5% and reduce the pushback suffered while casting Life spells by 33%.LifegivingとLifeboundベールは、3/6/10%自分のライフダメージを増加させ、5/10/15%によってあなたの人生の能力のマナ·コストを削減し、33/66/100%ライフ呪文を詠唱中に苦しんプッシュバックを減らす。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Boon of Life 20 Passive 3 - - - - Damage from Vile Spores, Ruin and Void Life place a stacking buff on you, reducing the global cooldown of your next Nature s Touch, within 10 seconds, to 1 second and reduces its cast time by 0.3 seconds and its mana cost by 6% per stack. Does not include damage from Nature s Corrosion.ヴィレ胞子からのダメージ、台無しにし、ボイド生活の場を1秒に、10秒以内に、あなたの次の自然のタッチの世界的なクールダウンを減らし、スタック当たり6/8/10%の0.30/0.4/0.5秒とマナ·コストでそのキャスト時間が短縮されます上のスタッキングバフ、。自然の腐食による損傷が含まれていません。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Raised in Nature 25 Passive 3 - - - - Increases your Endurance by 5% of your equipment modified Intelligenceお使いの機器の5/10/15%によってあなたの持久力は知能に修正された増加 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Wild Growth 25 Active 1 - 1.5s 60s - Restores 265 health over 12s on up to 10 nearby party or raid members. Snares and increases damage taken by 10% on all nearby enemies. Consumes Charge while active. Charge can be gained while active.最大10近くの当事者またはRAIDメンバーで12S以上の265の健康を復元します。すべての敵に対して10パーセントが撮影したスネアと増加ダメージ。アクティブながらチャージを消費します。アクティブながら充電が得ることができる。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Natural Fusion 25 Passive 3 - - - - Your Synthesis increases heals from your Lifebound Veil by 3%.あなたの合成は、3/6/10%おLifeboundベールから治癒を向上させます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Essence Surge 30 Active 1 35m instant 60s 8% Restores health equal to 100% of the Mage s Maximum Health.メイジの最大ヒットの100%に等しい健康を復元します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Nature s Swiftness 30 Passive 3 - - - - Reduces the cast time of Nature s Fury and Natural Healing by 13%.13/26/40%ネイチャーズフューリーと自然治癒の詠唱時間が減少します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Convalesce 30 Passive 3 - - - - Nature s Cleansing and Cleansing Rush have a 33% chance to heal allies they cleanse for 6% of the caster s Maximum Health.自然のクレンジングと洗顔ラッシュ彼らは術者の最大ヒットの6%清め同盟国を癒すために33/66/100%のチャンスがある。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Healing Balance 35 Passive 2 - - - - Reduces the global cooldown of non-damaging abilities to 1.25 seconds and reduces their mana cost by 16%. Casting a non-damaging healing spell places a stack of Healing Balance on you for 30 seconds. While affected by Healing Balance, the damage of your next Life based damaging ability is increased by 10%. Casting a Life based damaging ability removes 1 stack of Healing Balance. Max 5 stacks.1.25/1秒に損傷を与えない能力の世界的なクールダウンを減らし、16/33%、そのマナ·コストを削減します。非損傷を治癒呪文をキャストすると、30秒間あなたに癒しバランスのスタックを配置します。ヒーリングバランス、ベースのあなたの次の人生の損傷の影響を受けながら、有害な能力を10/20%増加する。ライフベースの損傷能力をキャストすると、ヒーリング残高の1スタックを削除します。最大5はスタックする。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Lingering Spores 35 Passive 2 - - - - Increases the duration of your Radiant Spores by 10 seconds.5/10秒のあなたのラディアン胞子の持続時間を増加させます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Cleansing Rush 35 Active 1 - instant 10s 5% Removes 1 Curse, Disease, or Poison from up to 10 group and raid members within 25 meters.25メートル内で最大10個のグループとRAIDのメンバーから1呪い、疾患、または毒を削除します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Healing Torrent 40 Active 1 35m 2s 15s 13% Restores 370 to 409 health and an additional 444 health over 6s.6S以上の370から409の健康と追加の444の健康を復元します。 原文 編集 Root * Name Point SkillType MaxRank Range CastTime CoolDown CastCost Description 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Radiant Spores 0 Active - 35 instant 8s 5% When hit, has a 10% chance to heal the attacker for 100% of the damage done. Healing done cannot exceed an amount equal to 5% of the Mage s Maximum Health. Lasts 16s.ヒットすると、ダメージの100%攻撃を癒す10%のチャンスがある。行っ治癒はメイジの最大ヒットの5パーセントに相当する金額を超えることはできません。 16S続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Vile Spores 0 Active - 30m 2s - 10% Deals 661 to 730 Life damage. Counts as a Primary Bolt.730ライフ損傷に661のダメージを。プライマリボルトとしてカウントされます。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Withering Vine 2 Active - 30m instant - 8% Deals 1624 Life damage over 16s. Restores 200 health over 16s on up to 10 party or raid members near the enemy. Can only affect 3 enemies.16S以上1624ライフダメージを与える。最大10パーティや敵の近くにレイドメンバーに16S以上の200の健康を復元します。唯一の3体に影響を与えることができる。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Entropic Veil 4 Active - - instant - - Increases damage and healing done by 10%. Consumes Charge while active. Charge cannot be gained while active. Does not trigger a global cooldown.10%のダメージと癒しを向上させます。アクティブながらチャージを消費します。アクティブながら充電が獲得することができません。グローバルクールダウンをトリガしません。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Lifegiving Veil 8 Active - - instant 5s instant Ability damage dealt by the Mage heals up to 10 party or raid members. Instant Life abilities restore 42 to 47 health. Cast time Life abilities heal more based on cast time, up to 137 to 151 health. Non-Life abilities restore 8 to 9 health. Lasts 1h.メイジで対処能力のダメージが10政党またはRAIDメンバーを癒してくれます。インスタント生活能力は42から47の健康を回復する。キャストタイムライフ能力は、最大137から151の健康に、詠唱時間に基づいて、より治癒する。損保能力は9健康への8を復元します。 1H続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Lifebound Veil 11 Active - - instant 5s 1% Best used with Synthesis for Single Target healing. Ability damage dealt by the Mage heals up to 5 party or raid members. Instant Life abilities restore 14 to 15 health. Cast time Life abilities heal more based on cast time, up to 34 to 38 health. Non-Life abilities restore 3 to 3 health. Lasts 1h.最高の単一のターゲットの治癒のための合成で使用される。メイジで対処能力値ダメージは5党またはRAIDメンバーを癒してくれます。インスタント生活能力は14から15の健康を回復する。キャストタイムライフ能力は、最大34から38の健康に、詠唱時間に基づいて、より治癒する。損保能力は3健康に3を復元します。 1H続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Natural Conversion 14 Active - 30m instant 90s 3% Causes the next damaging spell cast by the enemy to heal their target for 200% of the damage done. Lasts 30s.ダメージの200%のための彼らの目標を癒すために敵にキャストし、次の有害な呪文を引き起こす。 30代続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Ruin 16 Active - 30m instant 15s 8% Deals 1402 to 1550 Life damage. Triggers a significantly larger heal from Lifebound Veil on the target of the Mage s Synthesis.1550生命の損傷に1402のダメージを。かなり大きくて魔道士の合成のターゲットにLifeboundベールから癒すトリガーします。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Nature s Cleansing 18 Active - 35 instant - 5% Removes 1 Curse, Disease, or Poison.1呪い、疾患、または毒を削除します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Blight 20 Active - 30m instant 30s 5% Removes all heal over time effects. Reduces healing received by 10% for 8s.すべての時間効果にわたり癒し削除します。 8S10%が受信した治癒を低減します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Flourish 20 Active - - 2s 20s 9% Restores 270 health on up to 10 party or raid members.最大10の当事者またはRAIDメンバーに270の健康を復元します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Essence Conversion 24 Active - - instant - - Restores 7% mana. Consumes 7% health.7%のマナを回復させる。 7%の健康を消費します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Nature s Fury 28 Active - 30m 2.5 8s 15% Deals 1262 to 1395 Life damage to up to 4 enemies.最大4人の敵に1395ライフダメージに1262のダメージを。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Soul Tether 32 Active - 35m instant 300s 5% Brings the fallen ally back to life, restoring 50% health and mana. Usable in combat.もたらす50%の健康とマナを回復する、同盟国の生活に戻って倒れた。戦闘中に使用できる。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Natural Healing 36 Active - 35m 2.5s - 13% Restores 425 to 469 health.469健康に425を復元します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Living Energy 40 Active - - instant - 5% Reduces ability cost by 5% on all party or raid members.すべての当事者またはRAIDメンバーに対して5%の能力のコストを削減します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Natural Splendor 44 Active - 30m instant channeled 120s - Deals 3515 Life damage over 8s to up to 8 enemies. Restores 971 health over 8s on up to 8 party or raid members near the enemy. Consumes Charge while active.最大8体の敵を8S以上3515ライフダメージを与える。敵の近くに最大8パーティやレイドメンバーの8S以上の971の健康を復元します。アクティブながらチャージを消費します。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Living Shell 48 Active - - instant 120s 4% Restores 1% of the Mage s Mana per second. Absorbs up to 935 damage. Lasts 30s.毎秒メイジのマナの1%を復元します。 935ダメージまで吸収する。 30代続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Void Life 51 Active - 30m instant channeled - 15% Deals 510 Life damage to the enemy each second for 3s. Triggers a significantly larger heal from Lifebound Veil on the target of the Mage s Synthesis.敵に510ライフダメージ3Sのための毎秒を扱っています。かなり大きくて魔道士の合成のターゲットにLifeboundベールから癒すトリガーします。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Corrosive Spores 54 Active - 30m instant 8s 9% Deals 1051 to 1162 Life damage. This damage triggers a significantly larger heal from Lifebound Veil on the target of the Mage s Synthesis. Deals an additional 334 Life damage over 8s to up to 5 enemies within 7 meters of the initial target. Lasts 8s.1162生命の損傷に1051のダメージを。この損傷は、かなり大きくて魔道士の合成のターゲットにLifeboundベールから癒すトリガーします。当初目標の7メートル内で最大5体の敵を8S以上の追加の334ライフダメージを与える。 8S続く。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Symbiosis 58 Active - 35m instant 45s 5% Increases the healing the Ally receives from the Mage s Lifegiving Veil by 50%. If cast on the Mage s Synthesis target, increases Lifebound Veil healing by 50%, otherwise increases Lifebound Veil healing on the Ally to match healing done to the Mage s Synthesis target. Lasts 10 seconds. Cannot affect the Mage.同盟者が50%でメイジのLifegivingベールから受ける癒しを向上させます。メイジの合成対象にキャストは、50%Lifeboundベール治癒を増加させた場合は他の方法でメイジの合成対象に行わ治癒に合わせて、味方にLifeboundベールの治癒を向上させます。 10秒続く。メイジに影響を与えることができない。 原文 編集 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Living Aegis 61 Active - - instant - 4% Increases the Mage s Maximum Health by 10%, their Life damage by 15%, healing by 10% and heals the Mage for 9 to 10 health when damaged. Counts as a Mage Armor.10%魔道士の最大の健康が向上し損傷した場合に、そのライフ15%のダメージ、10%の治癒とは、9から10の健康のために魔道士を癒す。メイジアーマーとしてカウントされます。 原文 編集 コメント欄 名前 コメント すべてのコメントを見る とりあえず、翻訳にぶち込んで張り終えました。後で添削します。 -- (名無しさん) 2014-02-17 09 29 37 仕様を更新 -- (riftinfo) 2011-02-24 08 50 26
https://w.atwiki.jp/mainichi-matome/pages/3089.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Long arm of the law launches lens up woman's skirt遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 拡散状況 関連ページ Long arm of the law launches lens up woman s skirt 遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 0 Long arm of the law launches lens up woman s skirt 2006,05,29 Shukan Asahi 6/2 By Ryann Connell 遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 1 A Nara Prefectural Police sergeant went from hero to villain in seconds as his quick-thinking found a little boy an ambulance, but his too-quick-thinking ended up getting him arrested for filming up the skirt of the hurt child s mother as she looked after her son, according to Shukan Asahi (6/2). ある奈良県警巡査部長が、彼の機転により小さな少年に救急車を見つけてやったが、あまりに機転が利きすぎて、怪我をした子供の母が息子の世話をしているときにスカートの中を盗撮して逮捕されたという結果に終わり、あっという間にヒーローから悪党になった。週刊朝日(6/2)より。 2 Hideo Wada was the 49-year-old sordid sergeant who is accused of taking advantage of the stricken mother s worries so he could get a digital peep at her panties. 和田英生は、打ちひしがれた母親の心配に乗じて彼女のパンティーをデジカメ盗撮したことを非難されている、49歳の下劣な巡査部長であった。 3 "We got a call from one of the paramedics to come back to the ambulance and the mother of the hurt boy said, That cop is doing something weird. She handed over his digital camera to us," one of the ambulance drivers involved in the case tells Shukan Asahi. "I suppose it was a bit hard for her to tell us in front of her boy that the sergeant had been looking up her dress." 「私たちは救急医療師の一人から救急車に戻るよう呼ばれ、怪我をした少年の母親がいいました。『あの警官がおかしなことをしています』彼女は彼のデジカメを私たちに手渡しました」と、この事件と関わった救急車運転手の一人は週刊朝日に語る。 「巡査部長が彼女の衣服を覗いていたことを私たちに息子の前で語るのは、彼女にとっていささか酷だっのでしょう」 4 Nara Prefectural Police explain how Wada acted. 奈良県警はどのように和田が行動したか説明する。 5 "He had a palm-sized digital camera and he brazenly filmed from directly in front of the woman," a prefectural police spokesman says. 「彼は手のひらサイズのデジカメを持って、彼は厚かましくも女性の直接前から撮影しました」と県警のスポークスマンはいう。 6 Incredibly, even though caught in the act, Wada wasn t arrested for taking the filthy footage. 信じられないことに、現行犯で捕まったにもかかわらず、和田はみだらな映像を撮ったことで逮捕されなかった。 7 "Under the prefectural ordinance outlawing people from creating a public nuisance, the inside of an ambulance isn t regarded as being in public, nor as public transport. He couldn t have been arrested for that," the police spokesman says. 「人々に公共の迷惑を禁じる県条例のもとでは、救急車の内部は「公共の場所」にも「公共の乗り物」にも該当しません。 そのため彼は逮捕されませんでした」と警察のスポークスマンはいう。 8 It was only on a subsequent raid of Wada s home when investigators picked up his computer and found that it contained footage taken using hidden cameras of over 400 unsuspecting women. 捜査官が彼のコンピュータを押収して、それに隠しカメラを使って撮られた400人を超える怪しまない女性の映像がはいっていることを見つけたのは、その後ようやく和田の家宅が捜索されたときであった。 9 When just two of these photos were found to have been taken up a woman s skirt, it was enough justification to slap the salacious sergeant in cuffs. But he almost got away with it. The "public place" where he allegedly snapped the incriminating photos was the parking lot of a police station and the shots were taken during a police investigation into a car accident. Wada is alleged to have quickly taken the photos after instructing a woman who had been involved in the car crash to squat down and look at a scratched bumper bar. これらの写真のうち2枚だけが女性のスカートを覗いて撮られたことが見つかったことで、好色な巡査部長に手錠をかけることは十分正当であった。 しかし彼はもうすこしで処罰を逃れるところだった。 彼が有罪の原因となった写真を撮影したとされる「公共の場所」は、警察署の駐車場で、撮影は警察の自動車事故の調査の間に行われた。 和田は、自動車事故に巻き込まれた女性にしゃがんで傷ついたバンパーを見るよう指示した後、素早く写真を撮ったといわれている。 10 Wada admits to taking the sneaky shots, as the police spokesman elaborates. 警察のスポークスマンが詳しく述べるように、和田は隠し撮りしたことを認める。 11 "He told us he liked taking photos of women he fancied," the spokesman tells Shukan Asahi. "He had to have the digital camera to take photos of accident and crime scenes, but it seems most of the shots he really took were of women." (By Ryann Connell) 「彼は私たちに、好みの女性の写真を撮ることが好きだったと語りました」とスポークスマンは週刊朝日に語る。 「彼は事故と犯罪現場の写真を撮るためにデジカメを所持しなければならなかったのですが、彼が撮影したもののほとんどは女性のものだったようです」(ライアン・コネル記) 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=252 Japundit 部分転載:http //blog.japundit.com/archives/2006/05/30/2616/ 英語サイト http //www.pantykin.com/forum/index.php?showtopic=2062 http //www.redtape.ru/forum/showthread.php?t=20083 http //referenceblog.canalblog.com/archives/2006/05/29/8942264.html 関連ページ Barely 18 Movies Japundit WaiWaiの記事を転載した英語サイト:P WaiWaiの記事を転載した英語サイト:R 毎日新聞英語版から配信された記事2006年
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Nation Name Plural Gdp(現在,2014,2015,2030,2050) National deficit Debt Unemployment Population Growth Birth late 国旗の変更 ・ Gobernment type Republic Federal -republic People s Republic Islamic Republic Monarchy Federal Monarchy Parliamentary Monarchy Isramic Monarchy Federation Emirate Principality Unitarian Dependency Member of the Commonwealth Palestinian autonomy Sovereign state ・ Regime type religious parliamentary presidential semi-presidential democratic authoritarian military totalitarian ・ Title of the head of state/Title of the chief executive[共通] President Prime Minister King Prince Sultan Emir Chancellor Governor Head of government Administrator Pope Guide to the Revolution Emperor Grand Duke Supreme leader Magistrate Captain Regent Bailiff Pres. of Courci Supreme Guide Leader of Defense Council Leader of Council of State Pres of Palestrian Authority Main Minister Pres of Regional Council Pres of Temicrial Assembly Pres of General Council Cities Name capital Number of inhabitants Location SteteIntact Partially destroyed Inruins Destroyed
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Greyskull the Pirate アビリティ ギア 短評 アビリティ アビリティ Lv 種類 説明 Pirate s Cunning 25 ◯ Greyskull the PirateのDPSが200%増加 A Grog A Day 100 ◯ Greyskull the PirateのHPが100%増加 Yarrr 200 ◯ 200Lv以降、Greyskull the PirateのDPSが25Lv毎に4倍ずつ増加 Plunder 400 ◇ ゴールドボーナスが、Greyskull the Pirateに攻撃しているモンスターの数×5%増加 Parry 600 ◯ Greyskull the Pirateの受けるダメージが33%減少 Pay Me Crew 1,000 ◯ 総DPSが20%増加 Greyskull s Handcannon 1,500 ◇ 一定時間毎に、総DPSの200%分のダメージをランダムなモンスター1匹に与える ◯…自己バフ ◇…フォーメーションアビリティ △…アクティブスキル ギア 装備 レア度 説明 オウム コモン Plunderの効果が10%増加 アンコモン Plunderの効果が25%増加 レア Plunderの効果が50%増加 エピック Plunderの効果が100%増加 レジェンダリー(Lv1) Plunderの効果が200%増加総DPSが、Tankタグを持つキャラの数×50%増加※ 宝の地図 コモン ゴールドボーナスが10%増加 アンコモン ゴールドボーナスが25%増加 レア ゴールドボーナスが50%増加 エピック ゴールドボーナスが100%増加 レジェンダリー(Lv1) ゴールドボーナスが200%増加Tankタグを持つキャラにゴールドボーナス20%増加のバフを付加※ 大砲 コモン Greyskull s Handcannonの対象が1匹増加 アンコモン Greyskull s Handcannonの対象が2匹増加 レア Greyskull s Handcannonの対象が3匹増加 エピック Greyskull s Handcannonの対象が4匹増加 レジェンダリー(Lv1) Greyskull s Handcannonの対象が8匹増加Humanタグを持つキャラのDPSが100%増加※ ※印はレジェンダリーギアの追加効果 Lv増加と共に効果が倍々になる 短評
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The Royal Grand Hall Buddhism 佛教之王堂 (念佛宗-念仏宗無量寿寺) This grand-scale holy edifice was erected in order to hand down true belief and our joy to posterity. This Royal Grand Hall of Buddhism has been constructed in Japan to create the spiritual base and the symbol of unity for the three hundred seventy million Buddhists in the world. Institution Front Gate The first step on the Royal Grand Hall Buddhism. South Gate Tathata Bridge Straight bridge, meeting 141m in total length. It is provided with 48 supports of genuine Main Gate Guardian Deity Five-Story Pagoda Main Halls Amida Halls, Sakyamuni Hall, Avalokitesvara Hall. Amida Halls The height is equql to an 18-sgtory building.Onigawara (ridge-end tile) 9m in height. This has been registered in the Guinness World Records. Approach 30m in width, 1.2km length Bell Tower Japanese Grand Bell, Diameter 3.2m , Weight 52 tong. The Canadian delegation, ringing the big bell at the Royal Grand Hall of Buddhism - click "watch in high quality"! ---Ringing the bell Five Hundred Arhats Park Every arhat has its unique figure and expression. Anyone must be able to find the one having a similar face to him among 500 Arhat Statues. The lnternational Buddhist Conference hall The Main Conference Hall of the lnternational Buddhist Conference Hall. The seating capacity is 2,000. By computer controlled system, the fioor with chairs can be automatically lowered and replaced with another floor without chairs. Lighting is also computer controlled. A total of 8 royal boxes are arranged on both sides of the hall. Giant lightings in the shape of the lotus fiower are installed on the ceiling. The largest one is 18m in diameter. Buddhists all over the world should unite as one, overcoming differences in our denominations and assertions. We should also understand the true heart of Lord Buddha and think over the meaning of true Buddhism. At the same time, we must make efforts to spread the Buddha s teachings of "wisdom and compassion" to the entire world and bequeath them to future generations. With the pride as a Buddhist and the good understanding of the profound in Lord Buddha s teachings, we should contribute to realize world peace and tranquility. The Royal Grand Hall of Buddhism~The Main Gate
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Chorus Group The Ethiopians エチオピアンズ 主な活動地:ジャマイカ 主な活動時期:1960年代-2000年代 ジャンル:1st wave(オリジナル・スカ、ロックステディ) 有名な曲 Train To Skaville? Come On Now? Engine 54? Everything Crash? Free Man? 現在のメンバー Leonard Dillon?(ボーカル) オリジナル・メンバー Leonard Dillon?(ボーカル) Stephen Taylor?(ボーカル) Aston Charlie Morris?(ボーカル) 過去に所属したメンバー Melvin Mellow Reid?(ボーカル) 関わりの深いプロデューサー Coxsone Dodd Duke Reid? Lee Perry バイオグラフィー 1966年 Coxsone Doddのもとでレコーディング開始。 Aston Morris?脱退。 WIRL?レーベのDynamic Studios?でレコーディング再開。 『Train to Skaville?』リリース。 1968年 Melvin Mellow Reid?加入。 『Everything Crash?』がリリースされ、大ヒット。 1970年以降 Coxsone Dodd以外のプロデューサーが、代わる代わるレコーディングを担当する。 1974年 Melvin Mellow Reid?脱退。 1975年 9月、Stephen Taylor?が道を横切ろうとして車にひかれ、死亡。ツアー中だったが、残ったLeonard Dillon?は「The Ethiopian」としてツアーを続ける。 1991年 Leonard Dillon?がソロアルバム『On the Road Again?』を発表。 1999年 女性ボーカル2人(Jennifer Lara?、Merlene Webber?)を迎えたアルバム『Tuffer Than Stone?』を発表。 Similer Artist (Sort by Last-FM) Derrick Morgan? The Pioneers? The Melodians? Justin Hinds & The Dominoes? The Paragons? Similer Artist (Sort by MP3.com) Burning Spear? Alton Ellis? The Heptones? The Itals? The Melodians? YouTube撰 The Ethiopians- Train to Skaville *The Ethiopians - Reggae hit the Town 動画をもっと見る Albums 1964 [[]] Label Number 1964 [[]] Label Number Collaboration 1967 [[]] Artsit 1967 [[]] Artsit Compilations 1969 [[]] Various Artists 1969 [[]] Various Artists 7inch 1964 [[]] Label Number 1964 [[]] Label Number 参考リンク all music answers.com Last FM Japan Last FM Listen!Japan mp3.com My Space wikipedia 英語版「The Ethiopians」
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